Saturday 9 October 2010

The Pete Walter and Band interview


Describe your music in three words?
Melodic, catchy, pop
Who are your musical influences?
Burt Bacharach, Stevie Wonder, Prince, Billy Steinberg, Billy Preston, Huey Lewis and the News
How has your band come together? (who knows who and how?)
I advertised for everyone except Gav (the bass player) who I knew through a mutual friend.
Who writes your songs or is it a collaborative effort?
I write the songs but the band have a key input on their parts and arrangement. Sometimes the song ends up sounding radically different from the basic format I bring to rehearsal
What do you hope for the future of 'Pete Walter and Band'?
Near future is we want to play some festivals next year, long term is to become a self-sustaining touring and recording band. We're already getting fans from Asia, Europe and the US so hopefully we'll get to visit some of them in the not too distant future.
Where are your favourite places to go out in London?
The Arts Theatre Club on Frith St is always fun. Bloomsbury bowl is becoming a bit of a cliche but for a reason. We all love secret cinema as well.

Wednesday 6 October 2010

Pete Walter and Band

Pete Walter and Band, 5th October @ The Old Queen's Head

The Old Queen's Head is a good venue for music. It has comfortable with nice decor and just about the right size! The only con is that it lacks the grimy underground atmosphere that makes live music experiences great. It is a bit too 'civilised' (with no dance floor). Plus drink prices are astronomical!

At £5 a head the Pete Walter and Band gig, recommended on Time Out, is reasonably priced. The warm up bands were quite fun. The first band on, The Boy Icarus, had a violinist which produced interesting sounds. They sounded like a cross between Mumford and Sons (without a drummer) and Devendra Banhart. Their lyrics were really inventive and and they mixed mellow tunes with more up beat stuff.

The real highlight of the night was, however, definitely The Pete Walter Band. They instantly created a buzz and changed the atmosphere. Their music is a lot of fun and their lead singer is a great performer, as was the female vocalist. ' The Pete Walter Band', named after the lead singer have a pop-rocky sound and were incredibly entertaining.

The night was worth paying to get in for but a more eccelctic mix of music might have made it better. Pete Walter and Band certainly made the evening and I am hoping to get an interview with them to follow up. Watch....this....space.

Sunday 3 October 2010

...and a bit more from Supermundane

Art and the sublime


In ‘Andrea del Sarto’, one of Robert Browning’s many dramatic monologues, the poet and playwright writes: “Ah but man’s reach should exceed his grasp. Or what’s a heaven for”. Like any great maxim in English literature Browning’s words have challenged critics over the centuries, causing them to question the artists’ meaning and its relevance.

Browning seems to suggest that man should strive for ‘more’ than he can achieve and get lost in the belief that anything is possible. The process of ‘over-reaching’ is likened to the creation of heaven, a perhaps fictitious idyll at the forefront of the collective imagination of man. In trivial terms it would appear Robert Browning is saying “shoot for the stars”.

As an English graduate in the crux of the worst economic crisis since the 1930s it seems people are no longer willing to believe in such optimistic musings. Rather, man should be ‘realistic’ and take whatever job or opportunity may come his way. After all, we are in a ‘recession’ don’t you know!

But Robert Browning’s words re-iterate two main Romantic school’s of thought that should not be forgotten. He is referring to the creative imagination, expressing the typically artistic notion that man’s vision tends towards the beautiful and he should strive to exceed the banality of ordinary life through art. The image of reaching can be seen as the creative process, in which man’s mind transcends the material world. At a time when cuts are being made to the arts Browning’s statement seems to be one that has got lost in a climate of facts and statistics and limits. But this is dangerous.

For me, the second relevance Browning’s words have is in how they can be reflected in our everyday lives. The importance of attempting to achieve something that is maybe unrealistic is what makes man a creative animal. It is what inspires, and ultimately gives our lives purpose. Every time we dream and attempt to better ourselves we are endorsing Browning’s Romantic ideology.

For Browning’s contemporary, Keats, it was the ‘striving’ after what can never be attained that became the true poetic task. In his sonnet ‘Bright Star’ Keats said he wanted to be “Awake for ever in a sweet unrest, Still, still to hear” his lover’s “tender-taken breath”. For Keats the breath must be forever ‘taken’ and not released because he longed for the moment just before completion, a moment full of ‘potential’. Whether the goal is achievable or not it seems that it is the reaching or striving that really matters because it is creative vision itself that makes life beautiful and gives it meaning.

So, let’s make sure that we nurture potential and do not forget what the Romantic’s taught us about the sublime and hope and flight of imagination. It is easy to get bogged down by the increasing ‘realism’ that seems to define the 21st century, an age of technology and science and factoids.

In the words of the great Percy Byshhe Shelley, “Poetry lifts the veil from the hidden beauty of the world, and makes familiar objects be as if they were not familiar”. I am not suggesting everyone should become a poet but the basic principle stands. Let us embrace concerns with love and beauty and ‘over reach’ in our daily lives because life is nothing, if not full of possibilities.